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Works of Art |
Other notable
movies |
Interesting
Teenage Movies |
| 1910s |
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| 1920s |
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| 1930s |
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- The Adventures of Robin Hood (Michael Curtiz, William
Keighley, 1938)
- Angels With Dirty Faces (Michael Curtiz, 1938)
- Anna Karenina (Clarence Brown, 1935)
- Bringing Up Baby (Howard Hawks, 1938)
- Camille (George Cukor, 1936)
- Dance, Girl, Dance (Dorothy Arzner, 1940)
- Duck Soup (Leo McCarey, 1933)
- Flesh (John Ford, 1932)
- Footlight Parade (Lloyd Bacon, 1933)
- Foreign Correspondent (Alfred Hitchcock)
- 42nd Street (Lloyd Bacon, 1933)
- Frankenstein (James Whale, 1931)
- Freaks (Tod Browning, 1932)
- Gold Diggers of 1933 (Mervyn Le Roy, 1933)
- Gone With the Wind (Victor Fleming, 1939)
- The Good Earth (Sidney Franklin, 1937)
- The Great Dictator (Charles Chaplin, 1940)
- His Girl Friday (Howard Hawks, 1940)
- The Hunchback of Notre Dame (William Dieterle, 1939)
- It Happened One Night (Frank Capra, 1934)
- The Letter (William Wyler, 1940)
- Little Caesar (Mervyn LeRoy, 1931)
- Lost Horizon (Frank Capra, 1937)
- Mutiny on the Bounty (Frank Lloyd, 1935)
- My Man Godfrey (Gregory La Cava, 1936)
- Ninotchka (Ernst Lubitsch, 1939)
- Our Daily Bread (King Vidor, 1934)
- The Petrified Forest (Archie Mayo, 1936)
- The Philadelphia Story (George Cukor, 1940)
- The Public Enemy (William A. Wellman, 1931)
- Scarface (Howard Hawks, 1932)
- The Westerner (William Wyler, 1940)
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| 1940s |
- All My Sons (Irving Reis, 1948)
- Citizen Kane (Orson Welles, 1941)
- The Lady from Shanghai (Orson Welles, 1947)
- The Little Foxes (William Wyler, 1941)
- The Magnificent Ambersons (Orson Welles, 1942)
- Notorious (Alfred Hitchcock, 1946)
- Shadow of a Doubt (Alfred Hitchcock, 1943)
- The Stranger (Orson Welles, 1946)
- Sunset Boulevard (Billy Wilder, 1950)
- To Be or Not to Be (Ernst Lubitsch, 1942)
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- Adam's Rib (George Cukor, 1949)
- All About Eve (Joseph L. Mankiewicz, 1950)
- Arsenic and Old Lace (Frank Capra, 1944)
- Bad Day at Black Rock (John Sturges, 1955)
- The Bishop's Wife (Henry Koster, 1947)
- Casablanca (Michael Curtiz, 1942)
- Dark Passage (Delmer Daves, 1947)
- Deception (Irving Rappe, 1946)
- Double Indemnity (Billy Wilder, 1944)
- Dr. Jekyll and Mr. Hyde (Victor Fleming, 1941)
- Gaslight (George Cukor, 1944)
- Gilda (Charles Vidor, 1946)
- Harvey (Henry Koster, 1950)
- Journey Into Fear (Norman Foster, 1943)
- Lady in the Lake (Robert Montgomery, 1947)
- The Lost Weekend (Billy Wilder, 1945)
- The Maltese Falcon (John Huston, 1941)
- Mildred Pierce (Michael Curtiz, 1945)
- Mr. Skeffington (Vincent Sherman, 1944)
- Mrs. Miniver (William Wyler, 1942)
- Murder, My Sweet (Edward Dmytryk, 1944)
- Nora Prentiss (Vincent Sherman, 1947)
- Now, Voyager (Irving Rapper, 1942)
- Our Vines Have Tender Grapes (Roy Rowland, 1945)
- Out of the Past (Jacques Tourneur, 1947)
- The Ox-Bow Incident (William A. Wellman, 1943)
- The Palm Beach Story (Preston Sturges, 1942)
- Portrait of Jennie (William Dieterle, 1948)
- Rope (Alfred Hitchcock, 1948)
- The Sea Wolf (Michael Curtiz, 1941)
- The Spiral Staircase (Robert Siodmak, 1946)
- To Have and Have Not (Howard Hawks, 1944)
- The Treasure of the Sierra Madre (John Huston, 1948)
- White Heat (Raoul Walsh, 1949)
- Woman of the Year (George Stevens, 1942)
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| 1950s |
- Anatomy of a Murder (Otto Preminger, 1959)
- Cat on a Hot Tin Roof (Richard Brooks, 1958)
- Dial M for Murder (Alfred Hitchcock, 1954)
- High Noon (Fred Zinneman, 1952)
- The Killing (Stanley Kubrick, 1952)
- The Night of the Hunter (Charles Laughton, 1955)
- North by Northwest (Alfred Hitchcock, 1959)
- On the Waterfront (Elia Kazan, 1954)
- Psycho (Alfred Hitchcock, 1960)
- Rear Window (Alfred Hitchcock, 1954)
- Shadows (John Cassavetes, 1959)
- Strangers on a Train (Alfred Hitchcock, 1951)
- A Streetcar Named Desire (Elia Kazan, 1951)
- Suddenly, Last Summer (Joseph L. Mankiewicz, 1959)
- To Catch a Thief (Alfred Hitchcock, 1955)
- Touch of Evil (Orson Welles, 1958)
- The Tragedy of Othello: The Moor
of Venice (Orson
Welles, 1952)
- Vertigo (Alfred Hitchcock, 1958)
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- The African Queen (John Huston, 1951)
- An American in Paris (Vincente Minelli, 1951)
- The Apartment (Billy Wilder, 1960)
- Butterfield 8 (Daniel Mann, 1960)
- David and Lisa (Frank Perry, 1962)
- Elmer Gantry (Richard Brooks, 1960)
- A Face in the Crowd (Elia Kazan, 1957)
- From Here to Eternity (Fred Zinneman, 1953)
- I Want to Live! (Robert Wise, 1958)
- Inherit the Wind (Stanley Kramer, 1960)
- Killer's Kiss (Stanley Kubrick, 1955)
- Kiss Me Deadly (Robert Aldrich, 1955)
- The Last Hurrah (John Ford, 1958)
- Lust for Life (Vincente Minelli, 1956)
- The Marrying Kind (George Cukor, 1952)
- Marty (Delbert Mann, 1955)
- Moby Dick (John Huston, 1956)
- A Place in the Sun (George Stevens, 1951)
- The Rose Tattoo (Daniel Mann, 1955)
- Sabrina (Billy Wilder, 1954)
- Singin' in the Rain (Stanley Donen, Gene Kelly, 1952)
- Some Like It Hot (Billy Wilder, 1959)
- The Harder They Fall (Mark Robson, 1956)
- 12 Angry Men (Sidney Lumet, 1957)
- The Wild One (Lázló Benedek, 1953)
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| 1960s |
- The Birds (Alfred Hitchcock, 1963)
- Butch Cassidy and the Sundance Kid (George Roy Hill, 1969)
- Faces (John Cassavetes, 1968)
- The Hustler (Robert Rossen, 1961)
- The Misfits (John Huston, 1961)
- Once Upon a Time in the West (Sergio Leone, 1968)
- A Raisin in the Sun (Daniel Petrie, 1961)
- Reflections in a Golden Eye (John Huston, 1967)
- 2001: A Space Odyssey (Stanley Kubrick, 1968)
- Whatever Happened to Baby Jane (Robert Aldrich, 1962)
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- Becket (Peter Glenville, 1964)
- Breakfast at Tiffany's (Blake Edwards, 1961)
- Doctor Zhivago (David Lean, 1965)
- The Honeymoon Killers (Leonard Kastle, 1970)
- Hush Hush, Sweet Charlotte (Robert Aldrich, 1964)
- Judgment at Nuremberg (Stanley Kramer, 1961)
- Lawrence of Arabia (David Lean, 1962)
- Little Big Man (Arthur Penn, 1970)
- Mister Buddwing (Delbert Mann, 1966)
- One-Eyed Jacks (Marlon Brando, 1961)
- They Shoot Horses, Don't They? (Sydney Pollack, 1969)
- To Kill a Mockingbird (Robert Mulligan, 1962)
- Zabriskie Point (Michelangelo Antonioni, 1970)
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| 1970s |
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- All the President's Men (Alan J. Pakula, 1976)
- Apocalypse Now (Francis Ford Coppola, 1973)
- Badlands (Terrence Malick, 1973)
- Chinatown (Roman Polanski, 1974)
- Days of Heaven (Terrence Malick, 1978)
- Family Plot (Alfred Hitchcock, 1976)
- Fiddler on the Roof (Norman Jewison, 1971)
- Interiors (Woody Allen, 1978)
- Johnny Got His Gun (Dalton Trumbo, 1971)
- Klute (Alan J. Pakula, 1971)
- Kramer vs. Kramer (Robert Benton, 1979)
- Love and Death (Woody Allen, 1975)
- Moonstruck (Norman Jewison, 1987)
- Network (Sidney Lumet, 1976)
- Next Stop, Greenwich Village (Paul Mazursky, 1976)
- Opening Night (John Cassavetes, 1977)
- The Serpent's Egg (Ingmar Bergman, 1977)
- Sleuth (Joseph L. Makiewicz, 1972)
- The Touch (Ingmar Bergman, 1971)
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| 1980s |
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| 1990s |
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- Almost Famous (Cameron Crowe, 2000)
- As Good as it Gets (James L. Brooks, 1997)
- Basquiat (Julian Schnabel, 1996)
- Before Night Falls (Julian Schnabel, 2000)
- Before Sunrise (Richard Linklater, 1995)
- The Big Kahuna (John Swanbeck, 1999)
- Bound (Andy Wachowski, Larry Wachowski,
1996)
- The Bridges of Madison County (Clint Eastwood, 1995)
- Bringing Out the Dead (Martin Scorsese, 1999)
- Buffalo 66 (Vincent Gallo, 1998)
- The Cell (Tarsem Singh, 2000)
- Chinese Box (Wayne Wang, 1997)
- Dangerous Liaisons (Stephen Frears, 1988)
- Eat Drink Man Woman (Ang Lee, 1994)
- Ed Wood (Tim Burton, 1994)
- Emma (Douglas McGrath, 1996)
- The English Patient (Anthony Minghella, 1996)
- Fargo (Joel Coen, 1996)
- Female Perversions (Susan Streitfeld, 1996)
- Fight Club (David Fincher, 1999)
- Ghost Dog: The Way of the Samurai (Jim Jarmusch, 1999)
- The Golden Bowl (James Ivory, 2000)
- Groundhog Day (Harold Ramis, 1993)
- Happiness (Todd Solondz, 1998)
- High Fidelity (Stephen Frears, 2000)
- How to Make an American Quilt (Jocelyn Moorhouse, 1995)
- Jesus' Son (Alison Maclean, 1999)
- Judy Berlin (Eric Mendelsohn, 1999)
- L. A. Confidential (Curtis Hanson, 1997)
- Living in Oblivion (Tom DiCillo, 1995)
- The Man on the Moon (Milos Forman, 1999)
- Mary Shelley's Frankenstein (Kenneth Branagh, 1994)
- Mississippi Masala (Mira Nair, 1991)
- Onegin (Martha Fiennes, 1999)
- Of Mice and Men (Gary Sinese, 1992)
- Orlando (Sally Potter, 1992)
- Oscar and Lucinda (Gillian Armstrong, 1997)
- Panic (Henry Bromell, 2000)
- Pollock (Ed Harris, 2000)
- Rounders (John Dahl, 1998)
- Schindler's List (Steven Spielberg, 1993)
- Seven (David Fincher, 1995)
- The Shawshank Redemption (Frank Darabont, 1994)
- Sense and Sensibility (Ang Lee, 1995)
- Sleepy Hollow (Tim Burton, 1999)
- Smoke (Wayne Wang, 1995)
- Snow Falling on Cedars (Scott Hicks, 1999)
- The Talented Mr. Ripley (Anthony Minghella, 1999)
- Traffic (Steven Soderbergh, 2000)
- What's Eating Gilbert Grape (Lasse Hallström, 1993)
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| 2000s |
- About Schmidt (Alexander Payne, 2002)
- Adaptation (Spike Jonze, 2002)
- The Aviator (Martin Scorsese, 2004)
- Big Fish (Tim Burton, 2003)
- Eternal Sunshine on the Spotless
Mind (Michel
Gondry, 2004)
- Everything is Illuminated (Liev Schreiber, 2005)
- Far From Heaven (Todd Haynes, 2002)
- From Hell (Albert Hughes, Allen Hughes,
2001)
- Gosford Park (Robert Altman, 2001)
- A History of Violence (David Cronenberg, 2005)
- The Hours (Stephen Daldry, 2002)
- Me and You and Everyone We Know (Miranda July, 2005)
- The Merchant of Venice (Michael Radford, 2004)
- The Others (Alejandro Amenábar, 2001)
- The Pledge (Sean Penn, 2001)
- The Shipping News (Lasse Hallström, 2001)
- Yes
(Sally Potter, 2004)
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- American Splendor (Shari Springer Berman, Robert
Pulcini, 2003)
- Angels in America (TV; Mike Nichols, 2003)
- Anything Else (Woody Allen, 2003)
- The Assassination of Richard Nixon (Niels Mueller, 2004)
- Auto Focus (Paul Schrader, 2002)
- Babel (Alejandro Gonzáles Ińárritu,
2006)
- A Beautiful Mind (Ron Howard, 2001)
- Being Julia (István Szabó, 2004)
- Beyond the Sea (Kevin Spacey, 2004)
- Big Bad Love (Arliss Howard, 2001)
- The Big White (Mark Mylod, 2005)
- Birth (Jonathan Glazer, 2004)
- Brokeback Mountain (Ang Lee, 2005)
- Broken Flowers (Jim Jarmusch, 2005)
- Capote (Bennett Miller, 2005)
- The Center of the World (Wayne Wang, 2001)
- Children of Men (Alfonso Cuarón, 2006)
- Chicago (Rob Marshall, 2002)
- Code 46 (Michael Winterbottom, 2003)
- Confessions of a Dangerous Mind (George Clooney, 2002)
- Crash (Paul Haggis, 2004)
- The Curse of the Jade Scorpion (Woody Allen, 2001)
- Cypher (Vincenzo Natali, 2002)
- The Dancer Upstairs (John Malkovich, 2002)
- De-Lovely (Irwin Winkler, 2004)
- The Departed (Martin Scorsese, 2006)
- Dot the I (Matthew Parkhill, 2003)
- Edges of the Lord (Yurek Bogayevicz, 2001)
- Feedback (Teo Konuralp, 2002)
- Finding Neverland (Marc Forster, 2004)
- Full Frontal (Steven Soderberg, 2002)
- Gerry (Gus Van Sant, 2002)
- Good Night and Good Luck (George Clooney, 2005)
- Hearts in Atlantis (Scott Hicks, 2001)
- Hollywood Ending (Woody Allen, 2002)
- I Heart Huckabees (David O. Russell, 2004)
- Inside Man (Spike Lee, 2006)
- Insomnia (Christopher Nolan, 2002)
- The Interpreter (Sydney Pollack, 2005)
- Just Like Heaven (Mark Waters, 2005)
- Kiss Kiss Bang Bang (Shane Black, 2005)
- Kissing Jessica Stein (Charles Herman-Wurmfeld, 2001)
- The Libertine (Laurence Dunmore, 2004)
- The Life Aquatic With Steve Zissou (Wes Anderson, 2004)
- Little Miss Sunshine (Jonathan Dayton, Valerie Faris,
2006)
- The Lord of the Rings: The
Fellowship of the Ring (Peter Jackson, 2001)
- Lost in Translation (Sofia Coppola, 2003)
- Match Point (Woody Allen, 2005)
- Melinda and Melinda (Woody Allen, 2004)
- The Motorcycle Diaries (Walter Salles, 2004)
- Moulin Rouge! (Baz Luhrman, 2001)
- Mulholland Drive (David Lynch, 2001)
- My Big Fat Greek Wedding (Joel Zwick, 2002)
- Mystic River (Clint Eastwood, 2003)
- Ocean's Eleven (Steven Soderbergh, 2001)
- Pavilion of Women (Ho Yim, 2001)
- Phone Booth (Joel Schumacher, 2002)
- Possession (Neil LaBute, 2002)
- The Quiet American (Philip Noyce, 2002)
- Ripley's Game (Liliana Cavani, 2002)
- Road to Perdition (Sam Mendes, 2002)
- The Royal Tenenbaums (Wes Anderson, 2001)
- Sideways (Alexander Payne, 2004)
- Solaris (Steven Soderbergh, 2002)
- The Station Agent (Thomas McCarthy, 2004)
- 25th Hour (Spike Lee, 2002)
- 21 Grams (Alejandro González Ińárritu,
2003)
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- The Chumscrubber (Arie Posin, 2005)
- City of God (Fernando Meirelles, 2002)
- Corpse Bride (Tim Burton, Mike Johnson, 2005)
- Dandelion (Mark Milgard, 2004)
- The Dangerous Lives of Altar Boys (Peter Care, 2002)
- Garden State (Zach Braff, 2004)
- Ghost World (Terry Zwigoff, 2001)
- L. I. E. (Michael Cuesta, 2001)
- Lords of Dogtown (Catherine Hardwicke, 2005)
- Mean Creek (Jacob Aaron Estes, 2004)
- Palindromes (Todd Solondz, 2004)
- The Rules of Attraction (Roger Avery, 2002)
- Storytelling (Todd Solondz, 2001)
- Thumbsucker (Mike Mills, 2005)
- White Oleander (Peter Kosminsky, 2002)
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Toddler-proof |
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6+ |
8+ |
| 1920s |
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| 1930s |
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| 1940s |
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| 1950s |
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| 1960s |
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| 1970s |
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| 1980s |
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| 1990s |
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| 2000s |
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- Cars (John Lasseter, 2006)
- Finding Nemo (Andrew Stanton, Lee Unkrich,
2003)
- Robots (Chris Wedge, 2005)
- Shrek (Andrew Adamson, Vicky Jenson,
2001)
- Shrek 2 (Andrew Adamson, Kelly Asbury,
2004)
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